Tuesday, March 31, 2009
Private moorings
Monday, March 30, 2009
The week kick-off
Friday, March 27, 2009
"We started talking on the highest level, without conditions and outside India"
Thursday, March 26, 2009
Recession 2008-09
A brief history of the current crisis
However it may seem, the current crisis didn’t come out of nowhere. Following WWII, the government and employers were keen to appease a population weary from years of war and rationing. The NHS was founded in 1948, and the opportunity for a reconstruction boom created the possibility of ‘productivity deals.’ These were agreements between employers and the unions for workers to implement productivity improvements in return for a share of the profits in the form of higher wages.
This settlement lasted up until the late 1960s, when two factors converged to derail it. Firstly, there was a growing wave of industrial unrest with strikes and other forms of action rippling out around the world. Many of these took the form of wildcat action outside of union control. Workers were fed up with years of producing more and more while their lives were still reduced to work, as all that extra productivity hadn’t led to shorter hours.
The second factor was the end of the post-war boom, which saw economic growth slow dramatically – making productivity deals unaffordable if profit levels were to be maintained. It also saw rising inflation eat away at the wage improvements over the last decade, adding fuel to the fire of workers' militancy. The struggles of this period were highly successful, with workers winning large concessions. However, this set the stage for a concerted counter-attack.
At the end of the 70s, Margaret Thatcher came to power in the UK on a mission to break the working class. Reagan soon followed in the US. Both of them isolated and took on workers sector by sector, doing deals with some unions while attacking others in a divide and rule strategy. The decisive defeats were the miners’ strike of 1984/5 in the UK, and Reagan’s attack on the air traffic controllers in the US in 1981. These are defeats from which we’ve yet to recover.
With workers broken, Thatcher and Reagan set about a series of reforms which set the scene for today’s crisis. Firstly, old centres of workers' militancy (mining, manufacturing) were systematically dismantled and outsourced to low-wage economies overseas. Whereas in the UK in 1971 over 70% of people were employed in primary industries (like mining) or manufacturing, today over 70% of workers are in the service sector. Secondly, the banking sector was massively deregulated, allowing the creation of all sorts of complicated ‘derivatives’ markets, which ultimately resulted in the credit crunch as it proved impossible to know what all these pieces of paper were really worth.
An effect of breaking workers' militancy was of course to keep wages down, and we’ve all got used to sub-inflation pay rises every year (in other words pay cuts). While this boosts profits, the problem with this is that it keeps consumer spending - and thus economic growth - down, since you can’t buy lots of things when you’re skint. Unless of course you get a credit card. So this problem was ‘solved’ by extending massive consumer credit, based mostly on rising house prices, to provide the spending power to purchase all those commodities coming out of the new manufacturing centres in the Far East and elsewhere.
Parallel to this, without primary industries or manufacturing the economy came to rely more and more on the banking and financial sector, with the ‘square mile’ of the City of London alone accounting for around 5% of the UK’s economy. This sector was also now heavily reliant on rising house prices, with complicated ‘mortgage derivatives’ being one of the major assets held by the big banks. Of course when the housing bubble burst, everything started to unravel. Household name banks teetered on the brink of collapse, as did the entire financial system. Credit dried up, and with it the economy swung into recession.
There is much talk comparing it to the collapse of 1929, except nobody knows how bad it’s going to get, and this time it’s global. Already there have been riots by workers laid off from thousands of factories in China, and food riots across the globe as food prices rise much faster than incomes. This then is the context for the coming ‘claw back’ attacks on our living standards that are set to try and make us pay for a crisis that was not of our making.
∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞
Wednesday, March 25, 2009
Rock n roll
1. Stairway to Heaven - Led Zeppelin
2. Johnny B. Goode - Chuck Berry
3. Like A Rolling Stone - Bob Dylan
4. Respect - Aretha Franklin
5. (I Can't Get No) Satisfaction - Rolling Stones
6. Jailhouse Rock - Elvis Presley
7. A Day In The Life - Beatles
8. Bohemian Rhapsody - Queen
9. Good Vibrations - Beach Boys
10. What'd I Say - Ray Charles
11. Papa's Got A Brand New Bag - James Brown
12. Won't Get Fooled Again - Who
13. All Along The Watchtower - Jimi Hendrix
14. (Sittin' On) The Dock Of The Bay - Otis Redding
15. Imagine - John Lennon
16. Born To Run - Bruce Springsteen
17. Layla - Derek & the Dominos
18. Light My Fire - Doors
19. I Heard It Through The Grapevine - Marvin Gaye
20. Free Bird - Lynyrd Skynyrd
21. Whole Lotta Shakin' Goin' On - Jerry Lee Lewis
22. When A Man Loves A Woman - Percy Sledge
23. Hey Jude - Beatles
24. Hotel California - Eagles
25. Rock Around The Clock - Bill Haley & His Comets
26. You Really Got Me - Kinks
27. American Pie - Don McLean
28. Tutti Frutti - Little Richard
29. Baba O'Riley - The Who
30. Sympathy For The Devil - Rolling Stones
31. Superstition - Stevie Wonder
32. Louie Louie - The Kingsmen
33. Smells Like Teen Spirit - Nirvana
34. Bo Diddley - Bo Diddley
35. Yesterday - The Beatles
36. My Generation - The Who
37. Smoke On The Water - Deep Purple
38. Don't Be Cruel - Elvis Presley
39. Whole Lotta Love - Led Zeppelin
40. Shake, Rattle & Roll - Big Joe Turner
41. Purple Haze - Jimi Hendrix
42. Summertime Blues - Eddie Cochran
43. In The Midnight Hour - Wilson Pickett
44. Time - Pink Floyd
45. Oh Pretty Woman - Roy Orbison
46. Sunshine Of Your Love - Cream
47. Walk This Way - Aerosmith
48. Sweet Child O' Mine - Guns N' Roses
49. A Whiter Shade Of Pale - Procol Harum
50. What's Goin' On - Marvin Gaye
51. Tears in Heaven - Eric Clapton
52. Comfortably Numb - Pink Floyd
53. Bridge Over Troubled Water - Simon & Garfunkel
54. You Shook Me All Night Long - AC/DC
55. Good Golly, Miss Molly - Little Richard
56. Everyday People - Sly & The Family Stone
57. Roundabout - Yes
58. Bye Bye Love - The Everly Brothers
59. Born To Be Wild - Steppenwolf
60. Sixty Minute Man - The Dominoes
61. Voodoo Child (slight return) - Jimi Hendrix
62. November Rain - Guns N' Roses
63. One Nation Under A Groove - Funkadelic
64. The House Of The Rising Sun - Animals
65. Mr. Tambourine Man - Byrds
66. Let's Go Crazy - Prince
67. Please, Please, Please - James Brown
68. Thunder Road - Bruce Springsteen
69. Somebody To Love - Jefferson Airplane
70. Dust In The Wind - Kansas
71. Slow Ride - Foghat
72. Crossroads - Cream
73. Blue Suede Shoes - Carl Perkins
74. With Or Without You - U2
75. More Than A Feeling - Boston
76. We Will Rock You - Queen
77. Go Your Own Way - Fleetwood Mac
78. 21st Century Schizoid Man - King Crimson
79. Mystery Train - Elvis Presley
80. Suite: Judy Blue Eyes - Crosby, Stills and Nash
81. Show Me The Way - Peter Frampton
82. Where Did Our Love Go - Supremes
83. My My Hey Hey (Out Of The Blue) - Neil Young
84. Money - Pink Floyd
85. Ziggy Stardust - David Bowie
86. Master of Puppets - Metallica
87. Stand! - Sly & The Family Stone
88. Sultans Of Swing - Dire Straits
89. That'll Be The Day - Buddy Holly & The Crickets
90. Dream On - Aerosmith
91. Maybellene - Chuck Berry
92. Every Breath You Take - Police
93. Jesus Christ Pose - Soundgarden
94. For What It's Worth - Buffalo Springfield
95. All Day And All Of The Night - Kinks
96. Tom Sawyer - Rush
97. Tangled Up In Blue - Bob Dylan
98. Hound Dog - Elvis Presley
99. Kashmir - Led Zeppelin
100. All Right Now - Free
101. Be Bop A Lula - Gene Vincent
102. Money Honey - Clyde McPhatter & The Drifters
103. Jumpin' Jack Flash - Rolling Stones
104. Lucky Man - Emerson, Lake & Palmer
105. Kick Out The Jams - MC5
106. Green Onions - Booker T. & The MG's
107. Back In Black - AC/DC
108. School Day - Chuck Berry
109. Runaway - Del Shannon
110. Good Rockin' Tonight - Wynonie Harris
111. London Calling - The Clash
112. Eight Miles High - Byrds
113. Aqualung - Jethro Tull
114. Heroin - The Velvet Underground
115. Goodbye Yellow Brick Road - Elton John
116. The Joker - Steve Miller Band
117. Barracuda - Heart
118. I Get Around - Beach Boys
119. Child In Time - Deep Purple
120. White Rabbit - Jefferson Airplane
121. Free Ride - Edgar Winter Group
122. Long Cool Woman (In A Black Dress) - Hollies
123. American Woman - Guess Who
124. Hallowed Be Thy Name - Iron Maiden
125. Wake Up Little Susie - The Everly Brothers
126. Gimme Shelter - Rolling Stones
127. I'm Walkin' - Fats Domino
128. Nights In White Satin - The Moody Blues
129. She Loves You - Beatles
130. Walk On The Wild Side - Lou Reed
131. (Love Is Like A) Heat Wave - Martha & The Vandellas
132. Rock and Roll All Night - KISS
133. It's Your Thing - Isley Brothers
134. Reach Out, I'll Be There - Four Tops
135. White Room - Cream
136. Paranoid - Black Sabbath
137. Money For Nothing - Dire Straits
138. Jeremy - Pearl Jam
139. Blitzkreig Bop - Ramones
140. Lola - Kinks
141. Hold On, I'm Comin' - Sam & Dave
142. The Weight - The Band
143. Old Time Rock & Roll - Bob Seger
144. Purple Rain - Prince
145. Refugee - Tom Petty & The Heartbreakers
146. Whipping Post - Allman Brothers Band
147. Welcome To The Jungle - Guns N' Roses
148. Magic Carpet Ride - Steppenwolf
149. No Woman No Cry - Bob Marley
150. (Don't Fear) The Reaper - Blue Oyster Cult
151. Paranoid Android - Radiohead
152. Psychotic Reaction - Count Five
153. Chain Gang - Sam Cooke
154. Bang A Gong (Get It On) - T-Rex
155. Teardrops From My Eyes - Ruth Brown
156. I Got You (I Feel Good) - James Brown
157. Peggy Sue - Buddy Holly & The Crickets
158. Sweet Home Alabama - Lynyrd Skynyrd
159. Like A Hurricane - Neil Young
160. Gimme Some Lovin' - Spencer Davis Group
161. Lawdy Miss Clawdy - Lloyd Price
162. Great Balls of Fire - Jerry Lee Lewis
163. In A Gadda Da Vida - Iron Butterfly
164. Paradise By The Dashboard Light - Meat Loaf
165. California Dreamin' - The Mamas and the Papas
166. Jump - Van Halen
167. Work With Me Annie - The Midnighters
168. I've Seen All Good People - Yes
169. Piece Of My Heart - Janis Joplin
170. Cloud Nine - The Temptations
171. Time Of The Season - Zombies
172. Proud Mary - Creedence Clearwater Revival
173. Space Oddity - David Bowie
174. Heart Full Of Soul - Yardbirds
175. Should I Stay Or Should I Go - The Clash
176. Be My Baby - Ronettes
177. One - Metallica
178. Do You Believe In Magic - Lovin' Spoonful
179. Werewolves of London - Warren Zevon
180. We're An American Band - Grand Funk Railroad
181. Alison - Elvis Costello
182. Bad To The Bone - George Thorogood
183. Come Sail Away - Styx
184. Sharp Dressed Man - ZZ Top
185. Grace - Jeff Buckley
186. Stand By Me - Ben E. King
187. Sherry - Four Seasons
188. Fever - Little Willie John
189. Riders On the Storm - Doors
190. Free Fallin' - Tom Petty
191. Cold Sweat - James Brown
192. Lonely Teardrops - Jackie Wilson
193. Under The Bridge - Red Hot Chili Peppers
194. Sledgehammer - Peter Gabriel
195. The Wanderer - Dion
196. My Sweet Lord - George Harrison
197. Pride & Joy - Stevie Ray Vaughan
198. Let's Stay Together - Al Green
199. Rocky Mountain Way - Joe Walsh
200. Ain't Too Proud To Beg - The Temptations
201. Long Tall Sally - Little Richard
202. Paint It Black - Rolling Stones
203. Strawberry Fields Forever - Beatles
204. Billie Jean - Michael Jackson
205. You've Lost That Lovin' Feeling - The Righteous Brothers
206. Dance To The Music - Sly & The Family Stone
207. One - U2
208. My Girl - Temptations
209. Dazed And Confused - Led Zeppelin
210. Another Brick In The Wall Part II - Pink Floyd
211. Rocket 88 - Jackie Brenston
212. Carry On Wayward Son - Kansas
213. Brown Sugar - Rolling Stones
214. Blueberry Hill - Fats Domino
215. Soul Man - Sam & Dave
216. Twist And Shout - Beatles
217. I Wanna Be Sedated - Ramones
218. Wild Thing - The Troggs
219. Why Do Fools Fall In Love? - Frankie Lymon & Teenagers
220. Knock On Wood - Eddie Floyd
221. Hurricane - Bob Dylan
222. Rockin' in The Free World - Neil Young
223. 25 or 6 to 4 - Chicago
224. Cocaine - Eric Clapton
225. Brown Eyed Girl - Van Morrison
226. I Want To Hold Your Hand - Beatles
227. Born In The U.S.A. - Bruce Springsteen
228. I Can See For Miles - The Who
229. Truckin' - The Grateful Dead
230. Uptight - Stevie Wonder
231. People Get Ready - Impressions
232. I Got A Woman - Ray Charles
233. Rave On - Buddy Holly
234. Dreams - Fleetwood Mac
235. God Only Knows - The Beach Boys
236. Turn! Turn! Turn! - Byrds
237. Iron Man - Black Sabbath
238. Surfin U.S.A. - Beach Boys
239. Think - Aretha Franklin
240. Sweet Little Sixteen - Chuck Berry
241. The Tracks Of My Tears - The Miracles
242. Locomotive Breath - Jethro Tull
243. Desperado - Eagles
244. Maggie May - Rod Stewart
245. I'd Love To Change The World - Ten Years After
246. Who Do You Love? - Bo Diddley
247. Bad Moon Rising - Creedence Clearwater Revival
248. Shine On You Crazy Diamond - Pink Floyd
249. Changes - David Bowie
250. Takin' Care Of Business - BTO
251. Higher & Higher - Jackie Wilson
252. Black Magic Woman - Santana
253. Mony Mony - Tommy James & the Shondells
254. Anthem - Rush
255. Rock'n Me - Steve Miller Band
256. China Grove - Doobie Brothers
257. Crying In The Chapel - The Orioles
258. Take It On The Run - REO Speedwagon
259. There Goes My Baby - The Drifters
260. He Ain't Heavy, He's My Brother - Hollies
261. Glad All Over - Dave Clark Five
262. Breakdown - Tom Petty & The Heartbreakers
263. Uncle John's Band - Grateful Dead
264. Hit The Road Jack - Ray Charles
265. Stop! In The Name Of Love - The Supremes
266. Pink Houses - John Mellencamp
267. Lucille - Little Richard
268. Tumbling Dice - Rolling Stones
269. Roadhouse Blues - Doors
270. Rock 'n' Roll Hoochie Coo - Rick Derringer
271. Call Me - Blondie
272. School's Out - Alice Cooper
273. Aenema - Tool
274. Suspicious Minds - Elvis Presley
275. We Gotta Get Out Of This Place - Animals
276. What's Love Got To Do With It? - Tina Turner
277. Roxanne - Police
278. Earth Angel - The Penguins
279. Ain't It A Shame - Fats Domino
280. Low Rider - War
281. Rocket Man - Elton John
282. Love Hurts - Nazarath
283. You Got Another Thing Comin' - Judas Priest
284. Doctor My Eyes - Jackson Browne
285. Monday, Monday - The Mamas and the Papas
286. I Saw The Light - Todd Rundgren
287. Pride (In The name Of Love) - U2
288. All The Young Dudes - Mott The Hoople
289. Rooster - Alice In Chains
290. Fields Of Gold - Sting
291. Rock You Like A Hurricane - Scorpions
292. I Love Rock 'n' Roll - Joan Jett & The Blackhearts
293. Surrender - Cheap Trick
294. Nothing Else Matters - Metallica
295. No Time - The Guess Who
296. Woodstock - Crosby, Stills, Nash & Young
297. River Deep-Mountain High - Ike & Tina Turner
298. Bad Case Of Loving You - Robert Palmer
299. Love The One You're With - Stephen Stills
300. You Ain't Seen Nothin' Yet - BTO
Tuesday, March 24, 2009
God is Dead
What do you get if you divide science by God?
The Templeton Prize, awarded for contributions to "affirming life's spiritual dimension", has been won by French physicist Bernard d'Espagnat, who has worked on quantum physics with some of the most famous names in modern science.
Quantum physics is a hugely successful theory: the predictions it makes about the behaviour of subatomic particles are extraordinarily accurate. And yet, it raises profound puzzles about reality that remain as yet to be understood.
| WHAT IS QUANTUM PHYSICS? Originated in work conducted by Max Planck and Albert Einstein at start of 20th Century They discovered that light comes in discrete packets, or quanta, which we call photons The Heisenberg Uncertainty principle says certain features of subatomic particles like momentum and position cannot be known precisely at the same time Gaps remain, like attempts to find the 'God Particle' that scientists hope to spot in the Large Hadron Collider. It is required to give other particles mass |
The bizarre nature of quantum physics has attracted some speculations that are wacky but the theory suggests to some serious scientists that reality, at its most basic, is perfectly compatible with what might be called a spiritual view of things.
Some suggest that observers play a key part in determining the nature of things. Legendary physicist John Wheeler said the cosmos "has not really happened, it is not a phenomenon, until it has been observed to happen."
D'Espagnat worked with Wheeler, though he himself reckons quantum theory suggests something different. For him, quantum physics shows us that reality is ultimately "veiled" from us.
The equations and predictions of the science, super-accurate though they are, offer us only a glimpse behind that veil. Moreover, that hidden reality is, in some sense, divine. Along with some philosophers, he has called it "Being".
In an effort to seek the answers to the "meaning of physics", I spoke to five leading scientists.
Nobel-prize winning physicist Steven Weinberg is well-known as an atheist. For him, physics reflects the "chilling impersonality" of the universe.
He would be thinking here of, say, the vast tracts of empty space, billions of light years across, that mock human meaning.
He says: "The more the universe seems comprehensible, the more it seems pointless."
So for Weinberg, the notion that there might be an overlap between science and spirituality is entirely mistaken.
The Astronomer Royal and President of the Royal Society, Martin Rees, shows a distinct reserve when speculating about what physics might mean, whether that be pointlessness or meaningfulness.
He has "no strong opinions" on the interpretation of quantum theory: only time will tell whether the theory becomes better understood.
"The implications of cosmology for these realms of thought may be profound, but diffidence prevents me from venturing into them," he has written.
In short, it is good to be humble in the face of the mysteries that physics throws up.
Cambridge physicist Roger Penrose differs again. He believes that mathematics suggests there is a world beyond the immediate, material one.
Can science explain all of life's meaning? |
Ask yourself this question: would one plus one equal two even if I didn't think it? The answer is yes.
Would it equal two even if no-one thought it? Again, presumably, yes.
Would it equal two even if the universe didn't exist? That is more tricky to contemplate, but again, there are good grounds for a positive response.
Penrose, therefore, argues that there is what can be called a Platonic world beyond the material world that "contains" mathematics and other abstractions.
John Polkinghorne worked on quantum physics in the first part of his career, but then took up a different line of work: he was ordained an Anglican priest. For him, science and religion are entirely compatible.
The ordered universe science reveals is only what you'd expect if it was made by an orderly God. However, the two disciplines are different. He calls them "intellectual cousins".
"Physics is showing the world to be both more supple and subtle, but you need to be careful," he says.
If you want to understand the meaning of things you have to go beyond science, and the religious direction is, he argues, the best.
Brian Swimme is a cosmologist, and with the theologian Thomas Berry, wrote a book called The Universe Story: From the Primordial Flaring Forth to the Ecozoic Era.
It is avidly read by individuals in New Age and ecological circles, and tells the scientific story of the universe, from the Big Bang to the emergence of human consciousness, but does so as a new sacred myth.
Swimme believes that "the universe is attempting to be felt", which makes him a pantheist, someone who believes the cosmos in its entirety can be called God.
Mark Vernon is author of After Atheism: Science, Religion and the Meaning of Life
Which physicist do you most agree with? Add your comments on this story, using the form below.
As a Hindu I can agree with them all. There is a (centuries old) western short-sightedness approach to science that is generally backed up Abrahamic beliefs. Science is being polarised or is seen in that manner ie if A is right B must be wrong, rather like the concept of heaven and hell. In Hinduism and other 'Dharmic' beliefs it has always been said that we live in the age of "maya" or illusion or even 'veil' and that what we see is made from 'cosmic vibrations'. Nothing that we see is how it is, it is our eyes that can only take in limited information which our brain processes to fill in the gaps. Is a rock just a rock or is it billions of particles resonating at a certain frequency to make the 'image' of the rock 'seen' by our eyes. The answer is both! Seeing may be believing, but it depends on whether you see with your eyes or an electron microscope.
Dipen, Stanmore
I am a physicist and evangelical Christian, so I think Penrose and Polkinghorne are closest to the truth. I'm pleased to hear that people are beginning to look again at the foundations of quantum theory. In recent decades physics has been dominated by what I call 'quantum mechanics' (like 'garage mechanics') - people who can do the sums but don't think about what they mean. The deeper questions in physics are bound to interact with the religious/philosophical assumptions of the physicist.
Dave, St. Neots
I agree with Weinberg. The maths might show up the complexities in nature and point to some profound conclusions, but the whole idea of something supernatural pulling the levers of the universe just escapes me.
Dan Wildsmith, Barnsley
When my ego is flaring I'm with the atheist simply because all thoughts, perceptions and concepts come from that wonderful delusional and often ignorant creature we call the mind. When the self is in check I'm with the sceptic...for the same reason! Only mankind's arrogance, brought about by that delusional self, has to believe they exist for some "special" purpose.
Billy, garnerville, newyork, usa
Obviously the great Martin Rees, but for more detail and a lot of work on the scientific view [eg, ch.6 in "Exploring Reality"], I go with Polkinghorne. My own view is '99% Dawkins' - but what a difference 1% Christ makes. Your equation should be something about exobiology, or evolution of altruism: the Price equation, or just rB > C. Biology describes the world; physics is a special case.
Valerie Jeffries, Faversham, England
As a Christian I would agree with John Polkinghorne. Science just reveals how awesome the world is, a world which God created and designed. It is ironic that many scientists try and disprove God but in many instances only demonstrate just how complex and wonderful the world is. There had to be an author of creation. We are not here by chance.
Nathan Goodearl, Guildford,UK
I most agree with Martin Rees. He seems to accept that we are not currently in a position to understand the universe in it's entirety. I would be interested to hear his views on the so-called 'God Particle' (Higgs Boson). I fundamentally disagree with the view that science and religion are compatible and fail to see why some people who choose to exercise faith in a religious belief choose to do so via science. Religion can exist without science, and science without religion.
Rachael Amato, Bristol
I agree with the Atheist. For as long as anyone can remember the things we don't understand have been given the explanation 'God', or 'Gods' and throughout history science, little by little, provides non-God explanations for things (suns, stars, comets, animals, plants etc.). This pattern looks set to repeat itself ad infinitum. In time we will be looking at our current religious theories and thinking how primitive and quite frankly wrong they look in the context of modern knowledge. But belief seems to be a need for many humans and I have no doubt their beliefs and Gods will move on in to the future gaps in our understanding.
Julian Harrison, Shrewsbury
4. THE BELIEVER is correct InshAllah. Many scientific facts have been found to be consistent with The Quran. Science is the rational study of creation, and its facts are consistent with revelation.
Saqib Pervaiz, Wolverhampton
The Atheist makes the most sense. The Universe is full of mystery that Mathematics and Physics will, in time, unravel. However, I don't understand why Steven Weinberg needs to believe that the Universe should have a personality and why he deems it as pointless. Everything in life is pointless from that point of view, experiences - my enjoyment of living is my spirituality, for me there is no God and why does that matter?
David Hunt, Cambridge, UK
Monday, March 23, 2009
Amused to hear!
The dark side of Pink Floyd
It's rock music's most complicated saga, involving ego wars, madness and death. Robert Sandall explains why nothing — not even $250m — can put the pieces of Pink Floyd together again

Pink Floyd fans are an optimistic lot. A year ago the band's blogging followers were talking up a putative tour in 2009 that would reunite the so-called "classic" 1970s line-up — the one responsible for their 40m-selling magnum opus The Dark Side of the Moon — for their first proper concert since 1980.
To a large extent, this represented the triumph of hope over experience. Of the many attempts to get the four members of Pink Floyd back on stage together, only Bob Geldof's had come off. After the fractious foursome re-convened for an historic 18-minute slot at Live 8 in 2005, the world's largest concert promoters, Live Nation, offered them a record $250m — pure profit, net of all production expenses, which the promoters would cover separately — to tour North America. This figure valued Pink Floyd as a bigger live draw than the Rolling Stones, and was more than twice what Live Nation shelled out to sign Madonna to an inclusive concert-and-albums deal in 2007.
True to form, the Floyd declined, mainly at the behest of David Gilmour. The band's guitarist, who compared their Live 8 performance to "sleeping with your ex-wife", was planning his most ambitious solo tour yet, to run from 2006 until the end of 2008. Prominent in Gilmour's band was the Floyd's keyboard player, Rick Wright, whose ejection from the group in 1979 led to years of discord in which the three remaining squabbled over who owned the band's name.
It was Wright's rehabilitation as Gilmour's new buddy —coupled with the conciliatory noises emanating from drummer, Nick Mason, and the previously hostile bassist, Roger Waters — that helped to raise hopes of a 2009 Floyd tour. Once Gilmour's solo tour had wrapped at Gdansk in November 2008, the feeling among the Floyd faithful was that the long-awaited reunion might be back on the cards.
Sadly, it wasn't. Rick Wright died of cancer last September, a tragic loss which, like the death of Pink Floyd's prime mover, Syd Barrett, in 2006, inspired an avalanche of obituaries unusual for the passing of a pop musician. It also brought to light aspects of the shifting alliances that have characterised the career of Pink Floyd, one of rock's most complicated soaps.
Tellingly, none of his bandmates seemed to have known how ill Wright was, a fact that confirms how the members of Pink Floyd have long kept each other at a distance socially. Waters, who now lives mainly in the Hamptons, New York, hadn't spoken to Wright all year. A fortnight before Wright's death, Gilmour received a message that his keyboard player would not be able to take part in an upcoming TV broadcast for Jools Holland's Later. When I spoke to Mason in Islington, the day before Wright died, he had no inkling of what was unfolding in the organist's Kensington home. Mason was talking about "the faint possibility" of a Floyd reunion. "My bags are packed," he said.
The public tributes the other three paid to Wright after his death revealed as much about their view of the group as they did about him. Waters, the former self-appointed leader who kicked Wright out of the band in 1979, said his "thoughts were with his family". Conventional enough, but the family Waters named was the one Wright broke up when he divorced his first wife in 1982, shortly before Waters himself left the group. The subtext made it clear that Waters was hankering for the Floyd's heyday in the 1970s and early '80s. This was the period when he effectively ran the group — a situation flagged on the last record he made with them, The Final Cut, subtitle A Requiem for the Post War Dream, by Roger Waters, performed by Pink Floyd. Twenty-five years on, and following a so-so solo career during which he often resorted to billing himself as "the creative genius behind Pink Floyd", Waters clearly wanted his old band back. After expressing gratitude "for the opportunity that Live 8 afforded me to engage with him [Wright] and David and Nick that one last time", Waters' farewell to Wright ended: "I wish there had been more."
Mason's tribute told another story. He praised Wright as "the underrated one", adding that his swirling, layered keyboards were the band's true hallmark sound, which "tended to get forgotten among the welter of guitar solos". This less-than-flattering reference to the Floyd's guitarist was in keeping with Mason's recent memoir, Inside Out, a book whose jaunty and disrespectful tone greatly annoyed the serious-minded Gilmour and disrupted an alliance dating back to 1985, when Mason and Gilmour fought Waters for the right to carry on as a duo after he walked out and tried to prevent them from using the name Pink Floyd.
At that point they could have reinstated Rick Wright, but chose not to. Although they recalled him to play in their squad of backing musicians and to co-write some songs — "because I thought it would make us stronger legally and musically", Gilmour once said — Wright's days as a full band member were over. To the end he remained, in effect, a paid employee of Pink Floyd. Notwithstanding Wright's technical status, nobody could doubt the sincerity of the tribute Gilmour posted on his website. Of the three, it was the most personal and heartfelt. "No-one can replace Richard Wright. He was my musical partner and my friend. He was such a lovely, gentle, genuine man." This was followed with a belated apology for having deprived this lovely character of his membership of the band he loyally served for over 40 years: "In the welter of arguments about who or what was Pink Floyd, Rick's enormous input was frequently forgotten."
Like most issues relating to the band, the "forgetting" of Rick Wright's contribution boils down to a personality clash. Sensitive, fragile and, according to the Floyd's first manager, Peter Jenner, "dithery", Wright was ill-equipped for the ego wars that came to dominate Pink Floyd after the departure of Syd Barrett in 1968. A self-taught multi-instrumentalist who grew up in thrall to classical music and modern jazz — "I never liked R&B very much," he said — Wright was the one most in tune with Barrett's maverick, improvising talent.
Finding he had little in common with his Regent Street Polytechnic bandmates, Mason and Waters, Wright bonded with Barrett; and once the Floyd's psychedelic poster boy began to lose his mind to LSD, Wright stuck by him. While the rest of the group plotted to remove their increasingly unreliable leader from the touring band — swiftly replacing him with his Cambridge college-mate, David Gilmour — Wright moved into a flat with Barrett in Richmond to try to hold him together. When he would disappear in the evening to play gigs, leaving the addled Barrett behind staring at the wall, Wright would tell him he was popping out to buy cigarettes. "It was awful," he later said of this deception.
Believing Barrett and Wright to be the more musically gifted half of a disintegrating group, Pink Floyd's management contemplated forming a breakaway band to rescue Barrett from his demons. But it never happened. Wright, who said he "would have left with him like a shot if I had thought Syd could do it", stayed on with Pink Floyd where, like new recruit Gilmour, he came under fire from the band's emerging bossy-boots ideologue, Roger Waters.
Jenner ascribes this to simple jealousy: "Rick was Roger's real rival. He was better looking and he had a better voice." Having lost his musical foil, and his friend, Wright became progressively isolated. He made a decisive contribution to the 1973 breakthrough album, The Dark Side of the Moon, whose subtle balancing of soft and loud passages owed much, Wright believed, to his "being brought up on classical music, in which the symphonies have huge dynamics". But he argued with Waters over the subject of their next album, 1975's extended elegy for Syd Barrett, Wish You Were Here, taking issue with Waters' preoccupation with madness "something I didn't feel so strongly about". He was spooked by an incident at the end of the Abbey Road recording sessions when Barrett turned up, unrecognisably overweight, brandishing a toothbrush and demanding to play guitar on the track Shine On You Crazy Diamond.
Wright's natural diffidence made the acclaim that accompanied the Floyd's meteoric ascent after Dark Side — soon to become the biggest-selling album of the 1970s — difficult for him to deal with. His bandmates didn't help. Persistently ragged for his alleged stinginess — "Rick wasn't really a skinflint," Mason admitted later, "we just decided to turn him into the Jack Benny of the group" — Wright found touring an increasingly lonely experience. To counter the stress, he took up ocean sailing, a hobby that put even more distance between him and his fellow Floyders.
By the late 1970s Wright was in trouble. His marriage was on the rocks, and, having written classics such as The Great Gig in the Sky, he now had writer's block. Word within the Floyd camp had it that Wright's failure to come up with any new material was not helped by his increasing consumption of cocaine — a habit frowned upon by a group that, unlike the rest of planet rock at the time, steered clear of all drugs.
Things came to a head in 1979 while recording The Wall at the Super Bear studio in the south of France. The band's recent loss of £2m with the investment company Norton Warburg had left them heavily in debt and forced them into tax exile. It also put pressure on their next recording sessions, a tense situation made worse by a growing feud between Waters — who had devised the album's storyline and written most of the songs — and Gilmour, who complained that Waters' music was "incredibly naff". Wright sided with Gilmour, who asked him to help improve it. Wright, however, failed to deliver. "We'd all go home at night," Gilmour recalled, "and we'd say to Rick, 'Do what you like, here are these tracks, write something, play a solo, put something down. You've got all evening, every evening, to do it.' But he wasn't capable of playing anything."
Wright blamed the overbearing personality of Waters: "He was making it impossible for me to do anything." Others blamed the drugs. With a deadline looming, Waters summoned Wright to LA where the band had relocated, to finish his keyboard parts. When Wright refused to interrupt his sailing holiday around the Greek islands, Waters called a band meeting at which he demanded his dismissal. At first Wright refused to leave, but after Waters threatened to walk out, binning the unfinished album, he panicked. "That meant there would be no money to pay off our huge debts. I was terrified. I had two kids to support. So I agreed to go."
Wright later regretted the decision. "It was Roger's bluff. But I really didn't want to work with this guy any more."
Wright's dismissal marked the end of Pink Floyd as a mutual creative force — for the next five years they were the Roger Waters band — and the beginning of a struggle for control of the brand. As the individual members have long since discovered in their less successful solo careers, there is a commercial magic in the name Pink Floyd that transcends the performers it describes. This is partly down to the faceless nature of their son et lumière presentation. The vast light show, the visual stunts such as the inflatable pig, and the sound effects — clanking cash registers and all — tend to take precedence over the musicians on stage. As Mason puts it, "We're lucky in that we don't have to promote a Bono or a Mick Jagger."
But names can be tricky to manage too. In his typically self-deprecating fashion, Mason said recently of the sacking of their organist: "Dave and I decided to gang up with the school bully rather than fight for truth and justice." But slack as they might have been in resisting the expulsion of Wright, when in 1985 Mason and Gilmour fought Waters in the High Court for the right to call themselves Pink Floyd, record an album and set out on a four-year tour (the longest of their career to date), they won. And so it came to pass that the only people currently entitled to use the name Pink Floyd are David Gilmour and Nick Mason, when both are together on stage or in the studio. Aside from Live 8, the last time that happened was in 1995, on the tour for what is, and may well remain, the final Pink Floyd album, The Division Bell. When Gilmour toured his recent solo album, On an Island, it was noted that he didn't invite Mason to play drums. The simmering row over the drummer's memoir wasn't the half of it. With Mason present, Gilmour would have reconstituted the legal entity known as Pink Floyd.
The tenacity with which the members of Pink Floyd have remained at loggerheads is remarkable. At its heart lies the fraught relationship between Waters and Gilmour, two men who are often called "arrogant" and "obstinate". Creatively, this conflict has been summarised by Mason as "a tension between Roger's wanting to make a show, and Dave's desire to make music" — a reference to the fact that Waters is stronger on album "concepts" while Gilmour is the more talented singer and technician.
Its roots, however, go back to their shared upbringing in Cambridge. As teenagers, Gilmour and Waters were on nodding terms, but their connection was forged after both, separately, became friends of a magnetic boho character, Roger "Syd" Barrett. Gilmour and Barrett spent a summer busking in France. Waters, two years older, attended the same grammar school as Barrett and sought him out after they both moved to London to study. It was apparent in the first incarnation of Pink Floyd that Waters hero-worshipped Barrett, the band's leader and main songwriter. According to Peter Jenner, "Syd was the only person Roger Waters has ever really liked and looked up to." At a Barrett tribute concert held after his death at the Barbican in 2006,
Waters made the surprise announcement: "Without Syd I'd probably have been a property developer or something."
Though Gilmour's Cambridge background made him the obvious choice to replace Barrett — and he soon became a key player in repositioning Pink Floyd as a mainstream, rather than an "underground" act — Waters often treated him like a junior. "It's that old playground thing," Gilmour once said. "If you're a couple of years younger, that's the way you stay." Others have speculated that Gilmour's teenage friendship with Barrett and his family made Waters jealous. Surveying 40 years of internecine wrangling, the juvenile nature of much of it is what strikes Mason: "If any of our children behaved in the way we have to each other, we would be very cross with them."
As things stand, their lives barely cross, personally or professionally. Mason recently got back on speaking terms with his old pal from Regent Street Poly, Roger Waters, for whom he has occasionally played drums on his solo shows. But none of them needs to set foot on a stage again. The most recent Sunday Times Rich List estimates that Waters, Gilmour and Mason have fortunes of £95m, £85m and £55m respectively. Former band member Wright didn't feature on the list, but with houses in Kensington and the south of France and a large yacht in the Bahamas, he was clearly surviving comfortably on the royalty cheques from Pink Floyd's glory years in the 1970s.
In fact, money is about the only thing this contentious combo haven't argued about. Waters never went to war over it during his legal moves to stymie Mason and Gilmour. Whatever arrangement they came to with Wright, he never uttered a word of complaint about his treatment financially. In a gesture that helped to earn him a CBE in 2003, Gilmour donated the £3.6m he got from the sale of his London home in Little Venice — which was bought by Earl Spencer — to a charity for the homeless. "I don't need that money, I have more than enough," he commented, grandly.
Their lifestyles are — by the standards of most 60-something squillionaire rock stars — impeccably haut bourgeois. They each own tasteful country piles. Mason's Wiltshire pad previously belonged to Camilla Parker Bowles. Gilmour's farm in West Sussex is one of the most substantial spreads in what is informally known as "the rockbroker belt" — near Keith Richards's infamous old haunt of Redlands. Waters' main residence is in one of America's toniest addresses, the Hamptons on Long Island.
The yachtsman Rick Wright wasn't the only Floyder to favour posh pastimes. Mason loves collecting and racing vintage sports cars — his Ferrari GTO is his pride and joy — and most days he runs a company, Ten Tenths, that rents them out to film-makers. Waters spends much of his spare time over here shooting pheasant in the Welsh borders and deerstalking in Scotland. Gilmour is often seen out and about at London book launches with his wife, the former Sunday Times journalist Polly Samson.
The chances that these wealthy musicians of leisure will join forces again under the Pink Floyd banner seem remote for three reasons. First they are, as Mason says, demonstrably unbribable. "Bob Geldof and a good cause could make it happen whereas $250m couldn't." Then there are the musical differences, which were glimpsed in the rehearsals for Live 8. "At this point, to get Roger and David to play each other's songs," says Mason, "is unspeakably difficult."
Finally, and decisively, there is the implacable hostility of David Gilmour to a plan that now enjoys the full support of Roger Waters. Having spent years denigrating the contributions of his old bandmates, Waters is now a born-again team player. "David doesn't get how important the symbiosis between us was," he commented recently.
A close associate of Gilmour's takes a different view. "David has spent half his life fighting over Pink Floyd. Nothing will ever make him go back there."
The dark side of humanity
Friday, March 20, 2009
Manipur continues to revel on borrowed money, says CAG report
Friday, March 13, 2009
For What It's Worth
What it is ain't exactly clear
There's a man with a gun over there
Telling me I got to beware
I think it's time we stop, children, what's that sound
Everybody look what's going down
There's battle lines being drawn
Nobody's right if everybody's wrong
Young people speaking their minds
Getting so much resistance from behind
I think it's time we stop, hey, what's that sound
Everybody look what's going down
What a field-day for the heat
A thousand people in the street
Singing songs and carrying signs
Mostly say, hooray for our side
It's time we stop, hey, what's that sound
Everybody look what's going down
Paranoia strikes deep
Into your life it will creep
It starts when you're always afraid
You step out of line, the man come and take you away
We better stop, hey, what's that sound
Everybody look what's going down
Stop, hey, what's that sound
Everybody look what's going down
Stop, now, what's that sound
Everybody look what's going down
Stop, children, what's that sound
Everybody look what's going down
Wednesday, March 11, 2009
Cool retreat
The following guitar time line features some of the major influences on guitar development in terms of players, makers and composers from around 1500 B.C. until the present day.
Overall, I have listed the individuals who are of significant importance. And, as suggested further reading...
1500 BC - Persian Tanbur (Pronunciation: tän-boor'... Persia is an old name for the country of Iran). The word guitar is derived from two old Persian words, "Tar" meaning string, and "Char" meaning four.
1400 BC - Hittite Guitar
The Hittite guitar had a long fretted neck, a flat top, a flat back, and concave sides.
Birth of Christ - Greek Tanbur The Tanbour has remained popular since medieval times. Its derivatives include the Greek buzuki, the Romanian tamburitza, and the Indian sitar and tambura.
400 AD - Roman Tanbur
1200 AD - Guitarra Morisca & Guitarra Latina
1500 - Vihuela & Four Course Guitar
Luis de Narvaez Born 1490, Died 1547 Vihuelist born in Granada at the end of the Fifteenth Century. He was a court musician of the Comendador of León and then of the later ascending Felipe II...
Luis Milan - Born Circa 1500, Died 1562 - Luis Milan was a spanish composer & vihuela player who wrote the earliest collection of accompanied solo songs of the renaissance period. He also wrote fantasia's and pavanes for the vihuela.
Alonso Mudarra Born 1508, died 1580 - Alonso Mudarra was a Spanish composer and player of the vihuela. Brought up in a noble household, he travelled in Italy before becoming a canon of Seville cathedral in 1547...
Adrien Le Roy Born 1520, Died 1598 - Adrien Le Roy was a French publisher/printer, composer, lutenist and writer
Antony Holborne Born 1545, Died 1602 - We know almost nothing of the life of Antony Holborne: the first documented date is 1562 when we now know he entered Cambridge University.
John Dowland Born 1563, Died 1626 - Dowland was the composer of some of the most exquisitely melancholic music that has ever been written for the lute (and by default - the guitar) of all time...
Francis Cutting Born 1583, Died 1603 - Francis Cutting remains the most obscure figure among the great Elizabethan lutenist composers...
Gaspar Sanz Born 1640, Died 1710 - Gaspar Sanz studied and taught at the University of Salamanca as a professor of music. He was the organist of the viceroy of Naples...
Jan Antonin Losy Born 1645, Died 1721 - Jan Antonin Losy von Losimthal, known to his contemporaries as Comte Logy was the most celebrated German baroque lutenist before Weiss...
Robert de Visee Born 1650, Died 1725 - Robert de Visee was a guitarist, theorbo and viol player, singer, and composer. He may have studied with Corbetta...
Santiago de Murcia Born 1682, Died 1740 - Santiago de Murcia was a Spanish composer, theorist and guitarist. Probably born in Madrid and is believed to have died in Mexico...
Johann Sebastian Bach Born 1685, Died 1750 - Johann Sebastian Bach's life and career were confined to a very limited geographical space. Born and raised in Thuringia, he never went farther north than Hamburg and Lübeck, or farther south than Carlsbad...
Domenico Scarlatti Born 1685, Died 1757 - Domenico Scarlatti was appointed organist and composer of the vice-regal court at Naples, where his father was maestro di cappella...
Silvius Leopold Weiss Born 1686, Died 1750 - Silvius Leopold Weiss was responsible for leaving the largest, both qualitatively and quantitatively, number of compositions for the solo lute of any composer in history...
Luigi Boccherini Born 1743, Died 1805 - Luigi Boccherini Boccherini was born in Lucca, Italy, in a musical family. At a young age his father, a cellist and double bass player, sent Luigi to study in Rome...
Ferdinando Carulli - Born 1770, Died 1841 - Carulli became one of the most popular and loved classical guitar composers and players of his time...
Francesco Molino Born 1775, Died 1847 - Francesco Molino was born in Florence. He often travelled to Spain to give concerts. In 1820 he settled in Paris, where he lived out the remainder of his life...
Fernando Sor - Born 1778, Died 1839 - Sor was one of the most influential classical guitarists of all time writing beautiful studies and didactic works of great importance. A seminal mind who produced one of the best guitar methods of all time...
Anton Diabelli Born 1781, Died 1858 - Anton Diabelli was an Austrian music publisher, editor and composer. Best known in his time as a publisher, he is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote his set of thirty-three Diabelli Variations...
Mauro Giuliani Born 1781, Died 1828 - Mauro Giuliani, despite being self-taught on guitar, rose above his "station" to become one of the greatest guitar virtuoso's of all time...
Niccolo Paganini Born 1782, Died 1840 - Niccolo Paganini was one of the most famous violin virtuosi, and is considered one of the greatest violinists who ever lived, with perfect intonation and innovative techniques. His influence in violin music, and the musical world in general was unequalled...
Dionisio Aguado Born 1784, Died 1849 - They probably said about Dionisio Aguado... "It's the quiet one's you have to watch out for!" For although it was said he was shy and modest by nature, he certainly played with the fire of a gypsy, more akin to Andalusia than his hometown of Madrid...
Luigi Legnani Born 1790, Died 1877 - Luigi Legnani was an Italian guitarist, singer and composer. He started studying music at the age of eight. Made his debut at the theatre of Ravenne at 17 years age...
Matteo Carcassi - Born 1792, Died 1853 - Carcassi began to play the guitar at a very early age in his homeland of Italy. He was also receiving tuition on the piano and it is apparent his musical education was very comprehensive and well rounded...
Zani de Ferranti Born 1801, Died 1878 - Zani De Ferranti wrote some of the best 19th Century works written for guitar and was the Court Guitarist to King Leopold of Belgium in 1834. He toured all of Europe and spoke 4 languages...
Napoleon Coste Born 1806, Died 1883 - Napoleon Coste was born in the provinces, he rose to be the greatest guitarist/composer France ever produced...
Johann Kaspar Mertz Born 1806, Died 1856 - Johann Kaspar Mertz was an Austrian-based guitarist and composer, born in Pressburg, now Bratislava, Slovakia. He was active in Vienna, which had been home to various important figures in the guitar world, including Anton Diabelli, Mauro Giuliani, Wenceslaus Matiegka and Simon Franz Molitor...
Julian Arcas Born 1832, Died 1882 - Julian Arcas was a Spanish guitarist and composer. His career as a concert performer between 1860-70 took him all over Spain and the rest of Europe...
Francisco Tarrega Born 1852, Died 1909 - Francisco Tarrega played both piano and guitar, it was the guitar that really captured his heart and mind and to which he dedicated himself to from a young age...
Manuel De Falla Born 1876, Died 1946 - Manuel De Falla was a student of Felipe Pedrell and only wrote one piece of music for guitar (Homage to Debussy)but many of his works were transcribed for the guitar as they were "admirably and temperamentally well suited"...
Daniel Fortea Born 1878, Died 1953 - Daniel Fortea was born at Benlloch, Castellon de la Plana, Spain. He commenced the study of guitar at an early age and eventually became a popular concert artist appearing in Madrid, Barcelona and other important cities in Spain...
Miguel Llobet Born 1878, Died 1938 - Miguel Llobet was renowned as a great virtuoso and toured Europe and America extensively. His music seems to be enjoying a revival and there have been several CDs published recently. Both Stefano Grondona and Lorenzo Michelli have recorded his works...
Augustín Barrios Mangoré Born 1885, Died 1944 - Augustín Barrios Mangoré was famed for his phenomenal performances, both live and on his gramophone-recordings, the first classical guitar music ever committed to disk. For a period of some years, it was his habit to perform in concert in traditional 'native' Paraguayan dress (he was partly of Guarani origin)...
Emilio Pujol Born 1886, Died 1980 - Emilio Pujol was the last of Tárrega's disciples, he set about to document the pedagogical principles of his master teacher...
Heitor Villa-Lobos Born 1887, Died 1959 - Heitor Villa-Lobos a Brazilian master, was both a popular and important composer in the overall scheme of things in the "musical firmament." Indeed, he was the first South American composer to become internationally famous whose fame and popularity has continued unabated to the present day...
Andres Segovia Born 1893, Died 1987 - It is a generally accepted notion that Andres Segovia is the most popular and important figure in the whole history of classical guitar. But what would have been the fate of classical guitar if not for a musically ignorant, mean old violin teacher?
Regino Sainz de la Maza Born 1896, Died 1981 - Regino Sainz de la Maza studied at the Conservatorio Nacional in Madrid & with many teachers including Daniel Fortea. In 1940 he premiered the "Concierto de Aranjuez" which was dedicated to him by Joaquin Rodrigo...
Mario Maccaferri Born 1900, Died 1993 - Mario Maccaferri was born in 1900 in Cento, near Bologna, in Italy. At the age of 11, he became apprenticed to the Italian master luthier and renowned musician, Luigi Mozzani. The young Maccaferri assiduously followed his master's footsteps, bearing his influence for the rest of his life...
Luise Walker Born 1910, Died 1998 - Luise Walker commenced her studies of this delicate art as a girl of 8 years of age, when her father decided, that his extremely musical little daughter should be taught an instrument not common to the ears of the public...
Celedonio Romero Born 1913, Died 1996 - Celedonio Romero first performed in public at the age of 10. After his formal debut at age 20, he played widely throughout Spain but was refused permission to perform outside of his native country. Deprived of his artistic freedom under the oppressive government of Generalissimo Francisco Franco, Celedonio immigrated with his family to the United States in 1957...
Laurindo Almeida Born 1917, Died 1995 - Laurindo Almeida was proficient in both classical and jazz techniques and was famous for the bossa nova, introducing the Brazilian sound to the US long before its great success in the early 1960s...
Abel Carlevaro Born 1918, Died 2002 - Abel Carlevaro was a virtuoso, composer and teacher of guitar as well as the creator of a new school of instrumental technique as well...
Alirio Diaz Born 1923... - Alirio Diaz was born in Venezuela and learnt the guitar by ear. He studied with such luminaries as Segovia and Sainz de la Maza...
Ida Presti Born 1924, Died 1967 - Ida Presti was a French guitarist who formed the most famous classical guitar duo of all time with Alexandre Lagoya...
Narciso Yepes Born 1927, Died 1997 - Narciso Yepes was to become a world famous classical guitarist of the first rank. Some say he rivalled Andres Segovia for warmth and purity of tone! A compliment not to be scoffed at!
Oscar Caceras Born 1928... - Oscar Caceras was born in Montevideo, Uruguay and started playing guitar at a very young age. He gave the first live performance of Rodrigo's Conceierto De Aranjuez in South America in 1957...
Alexandre Lagoya Born 1929, Died - 1999 Alexandre Lagoya Alexandre Lagoya and Ida Presti formed the greatest classical guitar duet in the world to date. This was not simply due to their technical excellence, but their subtlety and force in emotional expression. They also transcribed music for the instrument from many sources, most notably the harpsichord, violin and piano...
Manuel Lopez Ramos Born 1929... - Manuel Lopez Ramos is an Argentinean guitarist known throughout the world for his performances, recordings and teachings. He has been one of the first Masters to carry on the tradition handed down to us by Andres Segovia...
Jorge Morel Born 1931... - Jorge Morel was born in Argentina and now living and working in New York City, has performed for thousands of international audiences in the last three decades incorporating brilliant technique, a uniquely personal style and sophisticated artistic expression...
Konrad Ragossnig Born 1932... - Konrad Ragossnig was born in Klagenfurt, Austria and studied with Professor Karl Scheit in Vienna. His career began with the first prize award at the 1961 "Concours International de Guitare" in Paris...
Siegfried Behrend Born 1933, Died 1990 - Siegfried Behrend was a German guitarist who also studied piano, composition and conducting. He was mainly interested in avant-garde music for classical guitar...
Julian Bream Born 1933... - Julian Bream made his professional debut over a half century ago (1947 in Cheltenham, England) and still remains one of the pre-eminent classical guitarists of modern times...
Oscar Ghiglia Born 1938... - Oscar Ghiglia was born in Livorno, Italy, to a pianist mother and a painter father. While attending Rome's Santa Cecilia Convervatory, he participated in Segovia's summer master classes in Siena and Santiago de Compostela...
Leo Brouwer Born 1939... - Leo Brouwer was born in Havana, Cuba in 1939. He studied with Pujol's pupil, and, specializing in composition, completed his studies at The Juilliard School of Music and at Hartt College of Music...
Milan Zelenka Born 1939... - Milan Zelenka is regarded as one of the best classical guitarists to ever come out of Czechoslovakia. He is a graduat of the Prague Conservatory...
Turibio Santos Born 1940... - Turibio Santos was born in Brazil and started playing the guitar at the age of ten. He formed a successful duo with his former teacher, Oscar Caceras. Santos has performed both solo and with orchestras all around the world...
John Williams Born 1941... - John Williams is one of the finest classical guitarists of all time. Even though he has delved into other areas of guitar and music that wouldn't be regarded as "classical guitar", he nevertheless remains as one of its most proficient players...
Alice Artzt Born 1943... - Alice Artzt studied with Alexander Bellow, Julian Bream, and Ida Presti. She has played concerts all over the world. Artzt is also an authority on the films of Charlie Chaplin...
Carlos Barbosa-Lima Born 1944... - Carlos Barbosa-Lima began studying the guitar at the age of seven and made his concert debut five years later in Sao Paolo and Rio de Janeiro...
Pepe Romero Born 1944... - Pepe Romero is one of the most remarkable and proficient players in the modern era of classical guitar. Often astounding audiences with his dazzling technique, Romero has obtained a mastery that is very rare indeed. Born in Malaga, Spain in 1944, he started playing the guitar at age three with his father Celdonio. Although he only ever studied guitar with his father, he did study music theory in both Spain and America...
Angel Romero Born 1944... - Angel Romero is the youngest son of Celedonio Romero and is an integral part of Romero family performances. Angel is a highly accomplished player in his own right. He was even the first guitarist to play at the famous Hollywood Bowl in 1964. For the record he played Rodrigo's Concierto De Aranjuez...
Christopher Parkening Born 1947... - Christopher Parkening began studying the guitar at the age of eleven. He studied with both Celedonio and Pepe Romero. Parkening is celebrated as one of the world's preeminent virtuosos of the classical guitar. For more than a quarter century, his concerts and recordings have received the highest worldwide acclaim. He has also written a classical guitar method...
Carlos Bonell Born 1949... - Carlos Bonell has enjoyed an immensely varied career. His activities include TV, film and CD recordings, international tours, concertos with the major orchestras and concerts with his own ensemble. Carlos Bonell's guitar playing can be heard on the recent Hollywood films 'City of Angels' and 'The Honest Courtesan' and on the TV films 'Inspector Morse' and 'The Politician's Wife'....
Liona Boyd Born 1949... - Liona Boyd completed a Bachelor of Arts Degree in Performance at the University of Toronto where she graduated with honors and won first prize in the Canadian National Music Competition. After two years of private study with Alexandre Lagoya in Paris, Liona returned to North America and recorded her first album for Boot/London Records. After her debut at Carnegie Recital Hall the New York Times praised her "flair for brilliance"...
Ricardo Iznaola Born 1949... - Ricardo Iznaola pursues a brilliant, multi-faceted musical career. An American citizen, he was born in Havana, Cuba, in 1949, and trained in Caracas under maestros Manuel Pérez Díaz and Alirio Díaz, and in Madrid under the eminent master Regino Sainz de la Maza, while pursuing studies in Theory and Composition at Madrid's Royal Conservatory...
Eduardo Fernandez Born 1952... - Eduardo Fernandez is recognized as one of today's leading guitarists. Born in 1952 in Uruguay, he began his studies of guitar at age 7. His principal teachers were Abel Carlevaro, Guido Santórsola and Héctor Tosar. After being prized in several international competitions, the most notable being the 1972 Porto Alegre (Brazil) and 1975 Radio France (Paris) competitions, he won the first prize of the 1975 Andrés Segovia Competition in Mallorca (Spain)...
David Russell Born 1953... - David Russell was born in Scotland, but living in Menorca for most of his young life, Russell began playing the guitar when quite small. By the time he was sixteen he moved to London to further his guitar study with the renowned Hector Quine. Russell's talent must have been immense because whilst at the Royal College of Music in London he twice won the prestigious Julian Bream medal. He even obtained the Vaughn Williams Foundation Scholarship...
Anthony Glise Born 1956... - Anthony Glise only American-born guitarist to win First Prize at the International Toscanini Competition (Italy), Anthony Glise is a product of the Konservatorium der Stadt (Vienna) and the New England Conservatory (Boston) with additional study at Harvard, UniversitŽ Catholique de Lille (France) and the Accademia di Studi Superiori "L'Ottocento" (Italy). A Pulitzer Prize Nominee for composition, Anthony has performed and has been awarded diplomas at such festivals as Festival des Artes (Hautecombe, France), Festival Ville Sable (France), ARCUM (Rome) and the Nemzetkšzi Git‡rfesztiv‡l (Hungary)...
Sharon Isbin Born 1956... - Sharon Isbin was only nine years old when she first studied guitar. That was in Italy, after her father had taken the family from their native America so he could complete a year's sabbatical from the University of Minnesota. Her innate artistry was almost immediately apparent. When she returned to America, she continued to study with such guitar luminaries as Oscar Ghiglia and Alirio Diaz (in master classes) and Sophocles Papas...
David Tanenbaum Born 1956... - David Tanenbaum is a prolific player, writer and commentator on classical guitar. Born into a musical family, he played both cello and piano before turning to classical guitar at age ten. Tanenbaum has won prestigious awards over the years such as the Carmel Classical Guitar competition and second in the famous Toronto International Competition in 1978...
Slava Grigoryan Born 1976... - Slava Grigoryan was born in Kazakhstan in the former USSR in 1976 and emigrated when only five years old. His father was his first teacher although he was primarily a violinist not a classical guitarist. He must have been good though as the young Slava was reputed to advance through six years of training in one year! No mean feat for a child. Making his successful debut at just age fourteen (His first recital was at the age of eight) Slava has matured into the world class musician of today...
Tuesday, March 3, 2009
MyDesign...
The term graphic design can refer to a number of artistic and professional disciplines which focus on visual communication and presentation. Various methods are used to create and combine symbols, images and/or words to create a visual representation of ideas and messages. A graphic designer may use typography, visual arts and page layout techniques to produce the final result. Graphic design often refers to both the process (designing) by which the communication is created and the products (designs) which are generated.
Common uses of graphic design include magazines, advertisements, product packaging and web design. For example, a product package might include a logo or other artwork, organized text and pure design elements such as shapes and color which unify the piece. Composition is one of the most important features of graphic design especially when using pre-existing materials or diverse elements. (Courtesy: Wikipedia)
FRANKENSTEINING: The process of collecting graphic parts from different design options and compiling them into one new option. What you end up with is a design solution worthy of a mob carrying torches and pitch forks and not good design. (Inspired by weasel marketing people. Big surprise huh?)
Craptacular!: An easy one word critique used to relay your dislike of the work being presented, while still sounding up beat about it.
Serial Design Killers: What you start calling the marketing department when they keep shooting down every original idea or design?
The client may be King but they're not the Art Director: Listen to your client, take into consideration all their input, weigh the options, study the details, know the target audience and then if necessary ignore all of it and design what you think will work best.
Design-O-Saur: A designer who refuses to embrace digital design methods and trends and is constantly referring to the good old days of colored marker comps and border tape.
Happy designing!!!




